HERM 301: Introduction to Heritage Resources Management introduces students to heritage resources management and creates a base for further study of the contemporary heritage field. Students study types of practice and current and emerging issues, as well as the social context, controversies, ethical questions and general concerns that characterize efforts in heritage preservation and the work carried out in museums, archives, historic places and interpretive centres. Within this theoretical and applied framework, students will begin to develop approaches and skills in administration, collecting, conservation and preservation, interpretation, audience development and visitor services.
This course is centred in an awareness of the broad context of heritage resources management, but it focuses on the practice, skills, and understandings of applied historical research.
Heritage Resources Management 322: Heritage Collections deals with the acquisition, documentation, storage, and preservation of collections.
Gathering and conserving objects is an ancient human impulse. For thousands of years people have collected, kept, and cherished objects. These practices have many motivations and reasons, including spiritual need; economic and political objectives, such as the acquisition of personal or group social status and power; the quest for knowledge; and the expression of aesthetic sensibilities.
This course focuses on research that forms part of the essential heritage resources management tasks of identifying the elements of the past that are significant or meaningful, determining how and why they are meaningful, and deciding how they can best be preserved and managed as a public trust.
Gathering and conserving objects is an ancient human impulse. For thousands of years people have collected, kept, and cherished objects. These practices have many motivations and reasons, including spiritual need; economic and political objectives, such as the acquisition of personal or group social status and power; the quest for knowledge; and the expression of aesthetic sensibilities.